For an in depth listening please go also to the discography section where links to all the recordings are posted.

Habekhi (The Crying), 2018 for mixed ensemble (divided into 3 groups), singer, and electronics (b. clarinet, tuba, double bass // piano, guitar, percussion, singer // violin, viola, and cello). A commission of  the Experimental Studio, Freiburg. 15 '

Black Flowers "obscure vegetation: black flowers bloom in matter’s darkness". Gaston Bachelard, 2018 for electric guitar. 4' 

Guardian 2017 for cello and a large orchestra. A commission of Donaueschinegn Musiktage and Rainy Days Festival, Luxembourg. 30'

Zaïde / Adama Mozart/Czernowin, 2017 new version with choir. Written with director Ludger Engels. A commission of Stadttheater Freiburg. 2½ hours.

On the face of the deep 2017 for large ensemble. A commission of Ensemble Intercontemporain, 10'

Infinite now 2016 an opera for 6 singers, 6 actors, large orchestra, 4 instrumental soloists and electronics. (Collaborator on the electronics: Carlo Laurenzi) A commission of Vlaanderen opera Gent and Antwerp, Mannheim Stat theater and IRCAM, Paris. 2½ hours.

Adiantum Capillus-Veneris III 2016 Etudes in fragility for voice and breath, for all voices (with a light electronics set up). A commission of Deutschland Radio for the Festival Forum Neuer Musik. 9'

Ayre: Towed through plumes, thicket, asphalt, sawdust and hazardous air I shall not forget the sound of 2015 for Flt (b. flt) Cl ( Perc. Pno Vln Vla Vcl. All instruments are amplified. a commission of Ensemble Norrbotten NEO Sweden. 9'

Knights of the strange (tutti) 2015 for a large ensemble with e. guitar and accordion as soloists. A commission of Phace Ensemble Vienna, Siemens Foundation and L.A Philharmonic USA/Germany/Austria. 17'30"

Once I blinked nothing was the same a large scale miniature. 2015 for orchestra. A commission of Bamberg Symphony Orchestra Germany . 3'30"

Knights of the strange (solo) 2015 for electric guitar and accordion. A commission of Gare Du Nord and Ensemble Nikel Switzerland. 11'30”

Adiantum Capillus-Veneris, II Etudes in fragility for voice and breath 2015 for all voices, amplified. Written for Amnon Wolman’s 60th Birthday. 8'30"

Adiantum Capillus-Veneris I Etudes in fragility for voice and breath 2015 for all voices (amplified). A commission of ARD Vocal competition Munich, Germany. 10'

Wintersong V: Forgotten Light 2014 for 2 septets and an octet of mixed instruments and counter alt and countertenor. Written on a Guggenheim Foundation fellowship USA 27'

Five Action Sketches 2014 for contralto, counter tenor, bass flute, bass clarinet, Tenor saxophone, tuba, and cello. Commissioned by Miller Theater USA 13'

Wintersong IV: Wounds / Mistletoe 2014 for 2 mixed septets and three percussionists. A Calithumpian consort and Siemens Foundation commission, USA. 11'

HIDDEN 2014 quartet and electronics. Electronics done at IRCAM with RIM Carlo Laurenzi. An IRCAM commission France 45'

White Wind Waiting 2013 amplified acoustic Guitar and Orchestra Orchestra classic guitar and steel string guitar re-stringed with all low E strings slightly detuned. Lucerne Festival Commission Switzerland 21'

At the fringe of our gaze 2013 Orchestra plus a chamber group of 5 players. Lucerne Festival and Divan Orchestra commission Switzerland 21'

Slow Summer Stay III : Upstream 2012 two octets, Siemens Foundation commission for Callithumpian Consort, USA 15'

Slow Summer Stay IILakes 2012 mixed octet, USA Library of congress commission 12'

Slow Summer Stay I: Streams 2012 mixed octet. Fromm Foundation commission USA. 10'

The Crescendo Trilogy: Esh 2012 Countertenor and Orchestra. Commissioned by Cottbus Symphony Orchestra 9'

Rega echad, sheket bevakasha (Just a moment, silence please) 2012 Text by Natan Zach Orchestra, choir Commissioned by Bach Archive for Bachfest, Leipzig 17'

FardanceCLOSE 2012 Piano, written for the birthday of Schott’s Hanser-Strecker. 6'

The last leaf 2011sopranino sax version, 2012 12'

And you will love me back 2011 Chamber Opera for three actors one singer 6 musicians. A commission of Two -Headed Calf Theater USA 25'

The Crescendo TrilogyZohar Iver (blind radiance) 2011 Ensemble, Orchestra. A commission of Soundscapes Festival, Switzerland.

Gradual edge 2011 cello and organ. A commission of the Danish Queen 13'

The last leaf 2011 oboe. Written to Peter Veale’s request. 12'

The Crescendo TrilogyThe Quiet 2010 for large orchestra divided into three groups A commission of Bayerischer Rundfunk Orchestra (BR) 10'

Lovesong 2010 for mixed ensemble. Written for Ensemble Recherche 25 years anniversary 12'

Duo Leat (Duo Slow) 2009-10 2 bass clarinets in Bb, A commission of Petra Stump and Heinz-Peter Linshalm, Austria 4'

Algae 2009 A Monodrama for Bass and Piano Text and collaboration with Wieland Hoban German - English/ Bass voice, Piano. A commission of Transit festival, Belgium. 25'

Sahaf (Drift2008 Sax, E guitar, Piano percussion. Written to Ensemble Nikel’s request. 7'

Anea Crystal Cycle: Anea 2008 String octet. A Klangspuren Festival commission, Austria 12'

Anea Crystal Cycle: Seed II 2008 String quartet. A Klangspuren Festival commission, Austria 9'

Anea Crystal Cycle: Seed I 2008 String quartet. A Klangspuren Festival commission, Austria 7'

Sheva 2007 mixed septet. Donaueschingen Festival Commission, Germany. 7'

Pilgerfahrten 2005–2006, rev. 2007 Text : Tove Jansson and Stefan Anton George German Schott Music speaker, children choir and ensemble. Commissioned by the European Center for the Arts, Hellerau. 50'

Zaïde / Adama 2004-2005 German - Arabic - Hebrew Schott Music chamber opera (amplified) combined with Mozart’s Zaide. Commissioned by Salzburg Festival. 2h15'

Winter Songs III: Roots 2003 for seven instrumentalists, sampler player, three amplified percussionists and IRCAM electronics Mixed Ensemble. Commissioned by Ensemble Modern 18'

Winter Songs II: Stones 2003 for seven instrumentalists and three percussionists. Commissioned by Ensemble Modern 14'

Excavated Dialogues 2003, rev. 2005 Fragments - Second version for a mixed ensemble of modern and Renaissance/Baroque instruments. 9'

Excavated Dialogues 2003 Fragments for a mixed ensemble of Eastern and Western instruments Commissioned by Maerzmusik 9'

Winter Songs I: Pending light 2002-2003 Mixed Ensemble and IRCAM electronics. Commissioned by IRCAM 12'

Maim 2001-2007 Triptych for large orchestra, a quintet of soloists (with tubax as pre-recorded main soloist) and live electronics (Experimental Studio). Commissioned by Donaueschingen Festival, Maerzmusik, Konzerthausorchester Berlin, and Salzburg Festival. 50'

Maim III: water of dissent 2004/2006. Commissioned by Maerzmusik and Konzerthausorchester Berlin. 19'

Maim II: the memory of water 2004. Commissioned by Salzburg Festival. 12'

Maim I: Maim Zarim Maim Gnuvim [Strange Water Stolen Water] 2001. Commissioned by Donaueschingen Festival. 18'

Liquid Amber 2000 for three piccolos solo and large orchestra Commissioned by the Munich Biennale 14'

While Liquid Amber 2000 3 piccolos Commissioned by John Fonville 5'

Shu Hai in an orchestral setting 2000-2001 for female singer, large orchestra and electronics.Commissioned by the Bern Triennial, Switzerland , and the experimental Studio, SWR Germany. 35'

MiniaturesSix miniatures and a simultaneous song 1998 voice mixed quartet and mixed trio.Commissioned by ELISION Ensemble. 12'

Pnima… Inwards 1998-1999 Chamber Opera. Commissioned by the Munich Biennale. 75'

Shu Hai practices javelin 1996-97 Text Zohar Eitan for voice and electronics. Eclat and Experimental Studio Commission. 25'

Afatsim 1996 for mixed ensemble. A commission of Musikprotokoll for Ensemble Recherche, Austria. 10'

String Quartet 1995 12'

Die Kreuzung 1995 U (Alto-Shô or Accordion), Alto-Saxophone, Double-bass 12'

Amber 1993 for large orchestra. A commission of La Jolla Symphony Orchestra 14'

The hour glass bleeds still 1992, rev. 2002 String Orchestra 17'

The hour glass bleeds still 1992, String Sextet - 2 violins, 2 violas, cello, double bass 17'

Ina 1988 bass flute, six recorded flutes (tape) score and parts 12'

Manoalchadia 1987 2 female voices and bass flute. Text: Enadad Eldan. 12'


Audio Fragments

Listen with headphones, quite loudly.


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Recordings elsewhere